X, Wheel / The Liars Tell... Heith

X, wheel
Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith’s debut album and first release on PAN. It’s a deep dive into his creative and spiritual practice, one where art and life are inextricable.
Written and recorded across different studios in Milan, Rome and Florence between March, 2019, and January, 2020, eleven tracks cycle through a world of stylistic references—from psychedelia, psytrance and freak folk to stoner metal, noise and early electronic music—while remaining firmly a part of a singular vision.

The hypnotic nature of the release is translated in the album’s liner notes. It’s a collage of sorts, constructed from Heith’s own diary entries using the non-phonetic alphabet and linguistic experiment called “Angel’s Hair” developed with artist Pietro Agostoni. Together with contributions from ZU drummer Jacopo Battaglia and didgeridoo player Fabio Goldaniga, X, wheel is an exercise in creating new forms of meaning through sound, turning spectral vibration into conscious awareness.

The Liars Tell…
Heith’s debut album X,wheel marked the beginning of a long journey, the start to a tortuous exploration of consciousness and spirit. The Liars Tell..., on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimensionhopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song. This EP’s emphasis on the singing voice is itself not casual, but the focal point of a research on language and words, from their uncanny worlding power to their ultimate failure to deliver universally accessible truths. The human voice is treated as the most fragile of instruments, a spectral presence aided into matter by technology. The tonally ambiguous beauty in Heith’s processed singing stands to imitate the immanent wisdom of sacral inspiration while simultaneously belonging to a sketchy trickster. A divine liar is whispering into the ears of the somnambulist, instigating dangerous temptations of knowledge.