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Hailed upon release as a moder alternative classic, Pitchfork raised Stein's \"thoroughly unexpected, confidently strange, and immediately commanding voice, while NME simply called it \"an extraordinary album.\" The Guardian described it as \"bruising, narcotised rock'n'roll, refracted through the bottom of a glass, darkly... on the verge of unequivocal magnificence'. MOJO celebrated \"an utterly flawless, heart-twisting vocal throughout,\" praising her ability to turn \"tales of sorrow and betrayal\" into \"something exquisite,\" and Clash observed that it's the voice that grabs you,\" calling it a wonderfully lucid piece of songwriting, emotion lingering on each note.' \u003c\/p\u003e\n\u003cp\u003eTwenty years later, the album retains its intoxicating magic. Still, the opening seconds pull you in; still, the record won't let you go. 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After years of restless wandering that took him from the Bay Area to India to Abbey Road and back again, Baird has returned home to San Antonio, Texas. Inspired by Lone Star legends Doug Sahm and Roky Erickson, the album inhabits a world where outsider country, avant-garde pop, and psychedelic folk dissolve into one.\u003c\/p\u003e\n\u003cp\u003eProduced by longtime collaborator Jasper Leach (Tony Molina, Color Green) and mastered by indie-rock legend KRAMER (Galaxie 500, Daniel Johnston, Will Oldham), Life Creates Itself was recorded at Sear Sound in New York City in a single remarkable day — fitting for an album as indebted to Arthur Russell and Captain Beefheart as it is to Sir Douglas Quintet and Townes Van Zandt. The sessions brought together a constellation of collaborators around Baird and Leach, including Pedrum Siadatian (Allah-Las, PAINT), Phil Carluzzo, Austin Day, Oliver O'Haver, Jordan Johns, Michael Vattuone, Clara Kennedy, and Carluzzo’s dog Ernie.\u003c\/p\u003e\n\u003cp\u003eLead single \"Yanaguana\" — the original Payaya name for San Antonio, meaning either \"land of many waters\" or simply \"where I am right now\" — serves as a thesis statement for the album, a restless soul reckoning with what it means to finally come home. Meanwhile, \"Karma Loan\" is a fuzzy, sprawling psych track that spilled out of Baird during a deep immersion in Bach that features cello by Clara Kennedy and closes with a sound collage of spiritual gurus hawking easy paths to enlightenment. Then there's \"Horse Moon\" — built around pedal steel that shimmers like rays of moonlight, drifting through vignettes from a late night walk across New York City, with Pedrum Siadatian's lead guitar lending the whole thing an unhurried, dreaming quality. The night they tracked it, Baird climbed to the roof of Sear Sound and watched a full moon wash the city in a warm glow.\u003c\/p\u003e\n\u003cp\u003eBaird has never sounded more at home, and Life Creates Itself may be his most cohesive record yet – a songwriter record through and through that stands apart from the rest of his discography. 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