{"title":"Dinked Edition","description":"","products":[{"product_id":"ed-harcourt-el-magnifico","title":"Ed Harcourt - El Magnifico","description":"\u003cp\u003eEl Magnifico marks the return of Ed Harcourt, one of the most enduring and celebrated songwriters around.\u003c\/p\u003e\n\u003cp\u003e+ Dinked Edition 273\u003cbr\u003e+ Deathless Recordings\u003cbr\u003e+ 29th March 2024\u003cbr\u003e+ “Gold” vinyl  * \u003cbr\u003e+ Signed 12” x 24” folded poster insert (Steve Gullick photo) *\u003cbr\u003e+ Numbered sleeve * \u003cbr\u003e+ Bonus 2 track 7” * \u003cbr\u003e+ Limited pressing of 750 *\u003c\/p\u003e\n\u003cp\u003e* EXCLUSIVE to Dinked Edition\u003c\/p\u003e\n\u003cp\u003eWhile recognisably bearing all the hallmarks that have made him such an admired and prolific songwriter, one of Britain’s most cherished yet inventive music creators, Ed’s new record, ‘El Magnifico’, also finds him striving for something new. It is an Ed Harcourt record, but one with a desire to seek fresh reward. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Deathless Recordings","offers":[{"title":"Dinked Edition LP","offer_id":48427986288984,"sku":"TKM-07252","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":56474180452696,"sku":"TKM-07250","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/2709f460977849d1df425c9c4da794d8.jpg?v=1741368681"},{"product_id":"all-now","title":"All Now","description":"","brand":"COMMUNION RECORDS","offers":[{"title":"Dinked Edition","offer_id":48165292507480,"sku":"TKM-07559","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/6538fc8f306fb0bf39c46fdca7903c54.jpg?v=1713802295"},{"product_id":"like-the-sky-ive-been-too-quiet","title":"Like The Sky I've Been Too Quiet","description":"","brand":"Native Rebel Recordings","offers":[{"title":"Dinked Edition","offer_id":48169637314904,"sku":"TKM-08341","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/c3af082da3a06f3f6e15d2e4745f9442.jpg?v=1713879094"},{"product_id":"loja","title":"Loja","description":"\u003cp\u003eOrlando Weeks’ forthcoming new album ‘LOJA’ (Portuguese for ‘store’) was written in both London and Lisbon. Recording began in earnest in January 2023 at the beautiful Chale Abbey Studios with longtime live collaborator Sergio Maschetzko as producer, supported by co-producer and engineer David Granshaw. In its latter stages, Nathan Jerkins (BULLION) contributed additional production and mixing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLead single ‘Dig’, featuring Rhian Teasdale (Wet Leg), is 3 minutes of half argument, long worn-out promises being remade and road weary offences being retaken.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe record features a number of other key collaborators including Katy J Pearson, Tony Njoku, Oliver Hamilton (Caroline) and Alejandro Aranda (Scary Pool Party).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe core musical contributions come from long standing live collaborators Sami El-Enany, Luca Caruso, William Doyle and Alexander Painter.\u003c\/p\u003e\n\u003cp\u003eA love letter to his new home, lyrically ‘Loja’ toys with both the fantastical and stark realism. There are sleeping giants in Track 2's 'Best Night' and the final song on the album, ‘Beautiful Place’, tells the story of a beach death.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe novelty of a new city afforded Weeks the opportunity to romanticise his present and reevaluate his past.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe first live performances in over a year will be at Copeland Gallery this June. During a 4 day\/night residency, Weeks will preview music from 'Loja' alongside an exhibition of the prints and drawings that are the accompanying visual aspect of the album.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Dinked edition includes...\u003c\/p\u003e\n\u003cp\u003eBLACK \u0026amp; WHITE SPLATTER VINYL\u003c\/p\u003e\n\u003cp\u003eALTERNATIVE SLEEVE ARTWORK (DESIGNED BY ORLANDO)\u003c\/p\u003e\n\u003cp\u003eSIGNED A2 FOLDED POSTER\u003c\/p\u003e\n\u003cp\u003eLIMITED PRESSING OF 600\u003c\/p\u003e","brand":"Fiction","offers":[{"title":"CD","offer_id":48197008163160,"sku":"TKM-08517","price":10.99,"currency_code":"GBP","in_stock":false},{"title":"Transparent Green Vinyl","offer_id":48197008228696,"sku":"TKM-08519","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition LP","offer_id":48197008261464,"sku":"TKM-08520","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/2fe7ed88dfb5d8f4f42977c5c7978af7.jpg?v=1714387008"},{"product_id":"9-sad-symphonies","title":"9 Sad Symphonies","description":"\u003cp\u003e\u003cstrong\u003eDinked Edition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003eOlive green \u0026amp; silver “cornetto effect” vinyl\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003eSigned art print\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\n\u003cp\u003eLimited pressing of 500\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKate Nash’s new album ‘9 Sad Symphonies’ is her first signed to the legendary Kill Rock Stars label. The album was produced and mixed by Grammy winning Danish producer Frederik Thaae (K Flay, Jada, Crown The Empire). \u003c\/p\u003e\n\u003cp\u003eMarking a new chapter in Kate’s illustrious career, the album’s lyrical scope is both deeply personal and achingly relatable, whilst its orchestral arrangements and melodies draw from Kate’s experience in the world of musical theatre. \u003c\/p\u003e\n\u003cp\u003eKate Nash is a BRIT Award-winning singer-songwriter, musician and actress known for her fearless approach to music and unapologetic storytelling. A platinum selling artist with a career spanning over a decade, she has garnered critical acclaim for her chart-topping hits and electrifying live performances. From her debut album ‘Made of Bricks’,  to her latest releases, Kate’s artistry continues to resonate with audiences and has earned her a dedicated fanbase. 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Over time, two EPs and accompanying visual pieces were produced out of the residence known as Red Mile. By 2017, several members had relocated to Vancouver, working out of harm reduction centers and low-barrier shelters. Sobriety, self-reformation and the idealism of their work further formed an ethos for Crack Cloud. It was during these years that the band produced their astounding 2020 album ‘Pain Olympics’. At once, their vision became expansive, cinematic.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow, ‘Red Mile’ is a bit of a homecoming. Members have returned to Calgary. But Calgary\/home has become a liminal space, a place of flux. After a decade of personal and collective growth, what does home even mean? ‘Red Mile’ is, for them, something like samsara: a return and a rebirth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘Red Mile’’s sound breathes expansive energy into the circuitous, street bound sonics of Crack Cloud’s prior material. Fizzling synths intertwine with chiming pianos. Songs layer like Russian nesting dolls; one may find a Ramones chorus set within a desolate Western prog soundtrack only to watch it erupt into a joyous anthem. Real-ass guitars — alternately lilting, scuzzy and soaring — ring out across wide sun-bleached spaces. In 2024, the cumulative effect is (in rock instrumentation terms) naturalistic. Any whiff of embalmed nostalgia is absent. Even the close of the album – a winding, alllllmost Jerry Garcia guitar noodle that leads us out of ‘Red Mile’ – is delivered without sentimentality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrincipal songwriter Zach Choy’s lyrics are cutting but merciful, with a sharp self awareness that never slides into self-satisfaction. Crack Cloud as artists are critical — and ultimately as forgiving — of themselves as they are the melting world around them. The songs balance an easy charm and cathartic power: affirming life without denying death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded predominantly between the outskirts of Joshua Tree California, and Calgary, Alberta, this record is informed by a bittersweet mélange of old and new. The sprawling, novelistic structures of their previous albums are condensed and sharpened, while maintaining their refusal to delve into superficiality. Through playful melodies and elliptical guitar soliloquy, they deliver a final product of exceptional depth and distinctly unprecious warmth. Crack Cloud have produced a mature, vital work that interrogates the platitudes of the rock-n-roll lifestyle, but ultimately exalts its sacredness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘Red Mile’’s de facto thesis statement “The Medium” is itself a rock song meditation: an ode to the form and its practitioners. This genre that — typical, repeatable, corporatized as it can be — somehow still has the power to help us live through life. We see the dusty sentiment of “I love rock and roll” exhumed, taken apart, and stitched back together. It’s a song guided by faith — if the medium helps us proclaim our love today, it’s worth protecting from derision tomorrow. We live in an era where music seems to love hitting its head against the wall. Crack Cloud’s ‘Red Mile’ is the sound — the feeling! — of the bricks giving way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"Dinked Edition LP","offer_id":48270082015576,"sku":"TKM-09058","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/2d7a106f7830f18578bd7ca7bffa6d40.jpg?v=1741369626"},{"product_id":"still-willing","title":"Still Willing","description":"\u003cp\u003eDinked 300 is brought to you by PERSONAL TRAINER!\u003c\/p\u003e\n\u003cp\u003eThe Dinked Edition includes:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 36.0pt; text-indent: -18.0pt; mso-list: l0 level1 lfo1;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e●\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003eWhite vinyl \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 36.0pt; text-indent: -18.0pt; mso-list: l0 level1 lfo1;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e●\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003eBonus ‘Intangible’ white 7” featuring White Denim remix \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 36.0pt; text-indent: -18.0pt; mso-list: l0 level1 lfo1;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e●\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003e16 Page A5 Fanzine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 36.0pt; text-indent: -18.0pt; mso-list: l0 level1 lfo1;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e●\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003eSigned Trading Card \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 36.0pt; text-indent: -18.0pt; mso-list: l0 level1 lfo1;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11pt; font-family: Calibri, sans-serif; background: rgb(0, 0, 0); color: rgb(255, 255, 255);\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11pt; font-family: Calibri, sans-serif; background-color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e●\u003cspan style=\"font: 7pt 'Times New Roman'; background-color: rgb(0, 0, 0);\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eLimited pressing of 600 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 115%;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003eIf you like pop music to keep you on your toes, Amsterdam’s Personal Trainer provide that service fulsomely on their second album. Essentially the project of Willem Smit (working with co-producer\/collaborator Casper van der Lans) on record and a band live, Personal Trainer showed a facility for DIY indie-pop exuberance and experiment in sync with 2022’s debut, Big Love Blanket. Now signed to Bella Union, Willem returns re-energised with Still Willing, a multi-faceted album of shining contrasts and spry melodies, bursting arrangements and subliminal sounds, playful lyrics and self-reflection: in short, a pop album executed with dynamism, vim and charm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 115%;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Calibri',sans-serif; mso-fareast-font-family: Calibri;\"\u003eWitty, welcoming and winningly melodic, Still Willing is the sound of an instinctive DIY-pop musician favouring think-on-your-feet exploration and intuition over know-it-all premeditation. Willem’s initial intent was to record the album as if live, but he realised that his chemistry with Casper would not be denied. “I felt that we had grown and built a language together. We don’t have to say a lot, but we understand each other well. 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With critical acclaim and deserved plaudits lavished on Amber following her debut EP ‘Sometimes I Forget You’re Human Too’, ‘Show \u0026amp; Tell carries on the emotive and philosophical themes of the EP, pinned around themes of connection; with yourself, with the world, with loved ones. There is soul-searching, introspection and a challenge to the ways of the world, all packed into 12 hook filled, shoegaze-fused-indie-pop slices.\u003c\/p\u003e\n\u003cp\u003eEmerging from the hotbed of exceptional guitar music bubbling up out of Leeds in recent years, Amber has been supported by BBC 6Music, BBC Radio 1, DIY, and played Glastonbury, Radio 1’s Big Weekend and more.\u003c\/p\u003e\n\u003cp\u003eSpeaking about the album, Amber explains “I want to understand connections and process the emotions which surround them. The album covers topics of queer love, humanity and it’s ‘delusions of grandeur’, mental health, introspection and purpose. 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Partly because they had to fit the exercise around working full time jobs, but also because of the freedom that was afforded to them around this specific project, which takes the post-punk four piece’s historically adrenaline-fuelled sound into fresh territory. Though the band’s punk spirit remains intact, sonically, they’re more refined and cohesive than ever; it’s the most mature Crows have ever sounded, without compromising any of their intrinsic grit. Following 2022's 'Beware Believers' and their 2019 debut 'Silver Tongues', 'Reason Enough' lands September 27th 2024 via Bad Vibrations. For the occasion, James Cox (vocals), Steve Goddard (guitar), Jith Amarasinghe (bass) and Sam Lister (drums), swapped their usual rehearsal space, a small studio in Homerton, East London, for the cavernous walls of a “weird little studio” – as Goddard puts it – in Stroud, Gloucestershire. More specifically, a former Catholic church and convent where the band parked themselves up in the crypt, which was more conducive to inspiring the foundations for ‘Reason Enough’. “Having a more relaxed approach this time around meant we could explore different stuff,” Goddard says. “We don’t want to sound the same as we did before – this is our third album, we have to move on. And so we fucked around a bit more.” Armed with dozens of ideas, they returned to London in a bid to finesse them all alongside Mercury Prize-nominated producer and master of the polished indie record Andy Savours (Black County, New Road, My Bloody Valentine). The result: a concise, 10-track album which goes a long way to show Crows’ sonic versatility. It’s more melodic work than what Crows have previously done, “rather than being all-out punk”, as Goddard puts it. “It feels less lo-fi, cleaner and more well-rounded as a result,” Cox adds. 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Dixon’s early beats had inspired Yamaha’s own nascent work, and he wanted Dixon to listen. Before long, Dixon rendezvoused with him in London, digging through his archive to find a wealth of beats that resonated with his own approach and with the burgeoning concept for ‘Magic, Alive!’ In July 2024, Dixon returned to his native Richmond, Virginia, with a tranche of sounds from Sam Yamaha and Koff, with whom he’d worked before.\u003c\/p\u003e\n\u003cp\u003eAlongside a cavalcade of guests and friends, from the mighty singer Anjimile and imaginative Alabama emcee Pink Siifuto trombonist Reggie Pace and harpist Eli Owens, Dixon split these beats wide open, adding hooks and horn lines and guest spots. 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From the first note of its propulsive opening track to the distorted cries of its last, Something Soft feels antagonistic to the very concept of softness, sonically and thematically, taking an unapologetic approach to intersectional feminism, animal welfare, consumerism, and the struggle to find a place in a world lacking in empathy. What M(h)aol offers is catharsis, in two forms: the kind you get from being open with others, and the kind you get from righteously smashing some shit up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEffectively channeling rage and empathy is an act of resilience, and to make Something Soft, M(h)aol had to become especially resilient. Following their acclaimed debut Attachment Styles, M(h)aol’s line-up changed, settling on the core trio of Constance Keane (drums\/vocals, she\/her), Jamie Hyland (bass\/vocals, she\/her), and Sean Nolan (guitar, he\/him). That process changed the band’s approach to songwriting and performing, resulting in an unexpected breakthrough where many groups have folded. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSomething Soft features a more urgent sound wound tightly around Hyland and Keane’s rhythm. On songs like “Pursuit” and “Snare,” Keane’s vocals lock in on her drums, as if her words were stirred to life by her playing, issued directly from her body. Set against those respectively anxious and swaggering tracks, her voice occupies the space of an inner monologue narrating a tense walk home, and green room misogyny from a place of droll observance, a universal experience rendered in specific detail. \u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike its predecessors Attachment Styles and the Gender Studies EP, Something Soft was recorded by Jamie Hyland. It is the most technically nimble of M(h)aol’s recordings to date, with the band—joined by Pixie Cut Rhythm Orchestra’s Sarah Deegan on bass—decamping to Dublin’s Ailfionn Studio where they took advantage of the space and studio equipment to bring more nuance to their sound. The additional sessions and prowess behind the boards were a boon, but for a band used to operating under extreme time constraints, this presented an unexpected challenge: Could M(h)aol keep the sense of immediacy that had marked their music up to that point? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSongs like “DM:AM” quickly dispelled that worry, blooming into life in 20 minutes from a drone Nolan was playing while Hyland set up her recording equipment, racing to capture the song once Keane and Deegan joined in. 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Their latest release, ‘Trash Classic’ (via Greenway Records and The Reverberation Appreciation Society), plunges into a sewer-slick fusion of proto-punk venom, fractured new wave, and industrial grime. Brimming with wiry synths, angular melodies, and grooves that squirm and bite, it’s all delivered with a sly, playful wink. Fueled by relentless global touring and a fierce DIY ethos, the band has shared stages with OFF!, Ty Segall, Oh Sees, Cheap Trick, and ZZ Top, cementing their place as one of the most unforgettable live acts around. Frankie and the Witch Fingers continue to morph, dragging listeners into whatever warped direction their experimental journey takes next.\u003c\/p\u003e\n\u003cp\u003eHooks so infectious they rot on impact. Trash Classic marks a feral mutation for Frankie and the Witch Fingers—a record that snarls with proto-punk venom, angular melodies, and electronic textures that cough and sputter like dying neon lights under a poisoned sky.\u003c\/p\u003e\n\u003cp\u003eThis record pushes the Witch Fingers’ sound to a razor's edge. Wiry and twitching, it bends into synth-punk and fractured new wave, with fragments of industrial grime caked under its nails. Guitars detonate and slice like cinder blocks through glass, while gnashing basslines slither through the sludge, alive and seething. Buzzy synths take the forefront, driving relentless rhythms that crack and pop, drenched in a chemically saturated sheen—part bug-eyed speed- freak pogo, part dance-floor delirium. 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According to Steve, they “capture the reality of our times perfectly”.  \u003c\/p\u003e\n\u003cp\u003eThere are also other words on the album courtesy of the two guest vocalists. “There have been some amazing instrumental albums made over the last few years, especially in the nu-classical and post-rock worlds,” says Steve, who points out the influence of Mogwai, and even titled one of the album tracks ‘I Don’t Know How To Sing’, “but some of the tracks sounded like songs to me, just without any words.”  \u003c\/p\u003e\n\u003cp\u003eThis led to the collaborations that, ultimately, tied the whole thing together and paved the way to the finished album. “One of the demos reminded me of Lush, who Ride had toured with in the ’90s, so I contacted Emma thinking her voice would be perfect. 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Inspired by the art school greats DEVO and Talking Heads, their music is a coiled spring of urgency and unpredictable energy that offers a sense of catharsis for the confusion of modern adult life.  \u003c\/p\u003e\n\u003cp\u003eAcross their critically acclaimed EPs, the Brighton quintet have never revelled in bleakness, managing to twist everyday narratives into music that is quite the opposite being upbeat, full of energy and with irresistible choruses you can’t help but sing along with.  \u003c\/p\u003e\n\u003cp\u003eEvidently Youth Sector are no strangers to weaving prescient issues of culture and politics into the warm embrace of strong grooves and sing-along choruses, but debut album ‘Pop Couture’ raises the bar considerably, marking their strongest statement to date. From grift culture to political corruption to the devolution of living standards, Youth Sector prove they can transform the weightiest subject matter into the most irresistible of choruses.    \u003c\/p\u003e\n\u003cp\u003e“'Pop Couture', our debut album, is a body of work which for a long time seemed out of our reach; it's the culmination of several years of development and is the vehicle for which we have been saving the best material we've ever written. The album explores prescient issues in our culture and politics such as grift culture, corruption and the devolution of standards in public life, but wraps these ideas in the warm embrace of strong grooves and sing-along choruses.”  \u003c\/p\u003e\n\u003cp\u003e“We've been more ambitious than ever on these recordings in terms of the scale of the songs we're writing, with the help of Richard Wilkinson (Bombay Bicycle Club, Spector, Kaiser Chiefs), this album includes our most expansive recordings to date. 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