{"title":"Albums Of The Year 2025","description":"","products":[{"product_id":"eusexua","title":"EUSEXUA","description":"\u003cp\u003eFKA twigs announces her highly-anticipated third studio album, EUSEXUA. The album will be released on 24th January 2025 via Young Recordings. Eusexua is a state of being. A feeling of momentary transcendence often evoked by art, music, sex, and unity. Eusexua can be followed by a state of bliss and feelings of limitless possibility. Also used to refer to: ‘The pinnacle of Human Experience’. It is united through any moment in which we are fully embodying ourselves, present in the moment, disconnected from technology, synthesized with those around us. It was moments of Eusexua that birthed EUSEXUA the album, as twigs cites her late nights in the underground techno scene of Prague.\u003c\/p\u003e","brand":"Young","offers":[{"title":"Indie Exclusive Milky Clear LP","offer_id":49917377085784,"sku":"TKM-13467","price":34.99,"currency_code":"GBP","in_stock":false},{"title":"Crystal Clear LP","offer_id":49917377118552,"sku":"TKM-13468","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":49917377151320,"sku":"TKM-13469","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/86e591ed913abffb30c73a89d738fe8a.png?v=1764091181"},{"product_id":"drive-to-goldenhammer","title":"Drive To Goldenhammer","description":"\u003cp\u003eFor Nottingham quartet Divorce, home is a feeling. Initially meeting as teenagers through the city’s close-knit DIY scene, the band – completed by members Tiger Cohen-Towell (vocals \/ bass), Felix Mackenzie-Barrow (vocals \/ guitar), Adam Peter Smith (guitar \/ synth) and Kasper Sandstrøm (drums) - came together as Divorce in mid-2021, releasing a slew of genre-defiant singles that quickly caught the attention of tastemakers the world over.\u003c\/p\u003e\n\u003cp\u003eSonically rich and lyrically open-hearted, 'Drive to Goldenhammer' sees Divorce assemble a shelter for themselves amid the chaos and leave the front door open to everyone. This album pays homage to seeking place and home; one of the great human levellers. Much of life feels at odds with this particular need. And to Goldenhammer; you are a reason to keep driving. We will find you again and again!\u003c\/p\u003e","brand":"GRAVITY","offers":[{"title":"CD","offer_id":49986003927384,"sku":"TKM-13853","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"Limited Cream LP","offer_id":49986003992920,"sku":"TKM-13855","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/ef15186935c310ba78d6ab63e413462f.png?v=1764091427"},{"product_id":"maribou-state-hallucinating-love","title":"Maribou State - Hallucinating Love","description":"\u003cp\u003eSix years after their second album Kingdoms in Colour made them one of the hottest names in electronic music, Hertfordshire duo Maribou State return with their third full length album. 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Throughout the 10 songs, mixed by Marta Salogni and mastered by Heba Kadry, the same team behind acts of rebellion, Ela seems to saddle a line between worlds of pop accessibility and experimental aplomb, her incandescent choruses always surrounded by meticulous and imaginative sonics. \u003c\/p\u003e","brand":"Domino","offers":[{"title":"Limited Red LP","offer_id":50065484546392,"sku":"TKM-14636","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50065484611928,"sku":"TKM-14638","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/fab3fb091954a773c9629cfd7f393ea3.png?v=1764091338"},{"product_id":"glutton-for-punishment","title":"Glutton For Punishment","description":"\u003cp\u003eFormidable South London auteur Heartworms has today announced her highly anticipated debut album Glutton For Punishment - out 7th February on Speedy Wunderground. \u003cbr\u003e    \u003cbr\u003eProduced by longtime collaborator Dan Carey, Glutton For Punishment combines the propulsive, motorik tendencies of gothic stalwarts Depeche Mode, with the lyrical dexterity of PJ Harvey, and the off-kilter rhythms of LCD Soundsystem into a powerful sonic onslaught that is entirely Heartworms. “With my EP, people kind of pigeonholed me into post-punk,” she says. “I was like, ‘Cool, I can do that, but I can also do way more’ – I can do post-punk, but I can also be poppy and catchy, and this album represents that. 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It’s a true level up album which sees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything from soulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop (Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a ‘vast world of moods and muses’ and Cotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in the process.\u003c\/p\u003e\n\u003cp\u003eThis is in no small part down to Owen ‘O’ Williams’ vocal performance- often compared to a young Richard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into his favorite themes of love-psychosis, unsympathetic mentally ill behavior, and the humiliations of being a musician in London. This time around, however, there’s a palpable sense of risk in his self assessments\/confessions. No more so in the track’s closing track Strange- an accounting of the clumsy, intrusive, well-meaning social interactions that took place in the period following the suicide of his mother (the folk singer Charlotte Greig.) As Williams says: “I’d tried a few times to write a song about it. The result had always seemed either mawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because it looked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, acted after the dust settled.” The album artwork features an image of Williams as an infant being breastfed by Greig in a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which was featured in The Guardian in 2023.)\u003c\/p\u003e\n\u003cp\u003eThe essential trick Cotton Crown plays is to offset Williams’ lyrical bleakness with joyous, hook-laden blasts of pop perfection. This is largely down to the guitar work of George Nicholls, who, across the album, effortlessly slips between the virtuoso jangle of Marr, the driving folk- rock of Pentangle and the chorus-heavy hi-fi grooves of contemporary bands like Tops or The 1975. Add to that the breakneck rhythm section of Taylor Stewart (Drums) and Max Warren (Bass)- who attack each song with power-pop ferocity, recalling Guided by Voices at their drunken-yet-tight best- and you’ve got yourself a recipe for indie rock greatness.\u003c\/p\u003e\n\u003cp\u003eThe band’s debut ‘Dead Meat’ was a word-of-mouth sensation that saw the band earn accolades from Pitchfork, The Guardian, MOJO, SPIN and more. They even gained some celeb fans: the inimitable Mark Proksch (The Office (US), Better Call Saul, What We Do in the Shadows) starred in the video for their “Round the Bend” single \u0026amp;amp; punk legend Iggy Pop has praised them on his BBC 6Music radio program. Standing in opposition to the UK norm of post punk, and hookless high-minded indie prog, the album was described by Kitty Empire (Observer) as a “shot in the arm for indie rock”. The band’s hard touring and raucous, beery live show have seen them stand out at festivals like Greenman, End of The Road, Melbourne Rising and Canela Party. The band (minus Stewart) were previously members of Joanna Gruesome- who won the Welsh Music Prize, toured the UK and US extensively, and were praised in Pitchfork, Rolling Stone, The NY Times, The Guardian and others. Lan McCardle (Joanna Gruesome, Ex-Void) also provides backing vocals on several tracks. 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The result of that liberation is an exhilarating new dimension of sound and songwriting. The themes are timeless, classic Sharon – life and living, love and being loved – but the sounds are new, wholly realized and sharp as glass. Reflecting on this new artistic frame of mind, Van Etten muses,\u003c\/p\u003e\n\u003cp\u003e“Sometimes it's exciting, sometimes it's scary, sometimes you feel stuck. It's like every day feels a little different – just being at peace with whatever you're feeling and whoever you are and how you relate to people in that moment. If I can just keep a sense of openness while knowing that my feelings change every day, that is all I can do right now. That and try to be the best person I can be while letting other people be who they are and not taking it personally and just being. 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In the fall of that year, they relocated to New York City, where Penelope and Nora were to attend NYU leading to the first time the trio had written music outside of Penelope's parents' basement. You can hear the push in a new direction by virtue of their new environment, but through this time of unparalleled change, the band turns inward.\u003c\/p\u003e\n\u003cp\u003eHorsegirl returned to Chicago to record in January 2024, finding focus and intimacy in the studio that can only arise when it's simply too cold to step outside. Le Bon led them into new, bright, clear, sonic territories highlighting the inventive nature of these songs. New tools help bring this world to life; violins, synths, and gamelan tiles are all woven into the record. The songs are a testament to experimenting with space and texture while maintaining a pop song at the core. All the while, a confident simplicity brings the band's songwriting ability to the forefront.\u003cbr\u003e \u003cbr\u003eIt’s hard to imagine any of these songs being written by anyone but Nora, Penelope, and Gigi. Horsegirl write with unanticipated honesty, leading us through scenes of girlhood and youth. These are moments of their lives. The indelible truth is that Horsegirl is a band of best friends; being around them you can see that love in their eyes and it is always a joyous thing to witness. It’s a love that is ever-present in Phonetics On and On as tenderness reverberates back and forth across the recording.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Crystal Clear LP","offer_id":53627515470168,"sku":"TKM-16094","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53627515502936,"sku":"TKM-16095","price":9.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":53627515535704,"sku":"TKM-16096","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Neon Pink Marbled Vinyl","offer_id":56380441657688,"sku":"TKM-29288","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/1a4768211499ad631bdf7cffa922a321.png?v=1764090951"},{"product_id":"marie-davidson-city-of-clowns","title":"Marie Davidson - City Of Clowns","description":"\u003cp\u003eMarie Davidson’s new album  ‘City of Clowns’ will be released on Deewee\/Because. \u003cbr\u003eThis fifth album of the Canadian artist has been produced by Belgians artists and producers Soulwax,  longtime collaborators of Marie Davidson.\u003c\/p\u003e","brand":"Because","offers":[{"title":"CD","offer_id":53663533629784,"sku":"TKM-16251","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"Limited White LP","offer_id":53663533662552,"sku":"TKM-16252","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4266\/0184\/files\/c4a4960f77d5ac7d522352d48923f4de.png?v=1764085235"},{"product_id":"mandrake-handshake-earth-sized-worlds","title":"Mandrake Handshake - Earth Sized Worlds","description":"\u003cp\u003eThe concept tying together every last note and lyric of ‘Earth-Sized Worlds’ - the debut album from the London\/Oxford self-dubbed ‘Flowerkraut’ collective Mandrake Handshake - is an awfully simple one: ‘Welcome to Space Beach’. A mantra to unite under one aesthetic roof the various creative compulsions of this complex, multi-limbed organism - varying at any one time between 7 to 10 members - it’s an album that conspires the alienating vastness of the cosmos against the warm nostalgias of home. Full of surprise, leftfield turns and closeted experimentations, tape- soaked Brazilian Sambas morphs into Kosmische Kraturock crusades, and shimmering avant-pop electronics melt into sweetened psychedelic bliss… “Welcome to the Spacebeach - the new era of the Mandrake. Here, where the sea joins the sky, and where the trees touch the stars and where we will have you stay a while”.\u003c\/p\u003e\n\u003cp\u003eWith news of their biggest UK headline show to date at London’s No90 (Hackney Wick) on February 28th next year, Mandrake Handshake are certainly firing on all cylinders as their debut album release draws ever closer. Having already showcased lead singles ‘Charlie’s Comet’, ‘King Cnut’ and ‘The Change And The Changing’ as they experiment further with their eccentric brand of ‘Flowerkraut’: a hedonistic, brain-frying feast of krautrock, art-pop and psychedelia.\u003c\/p\u003e\n\u003cp\u003eVarying anywhere between 7-10 members - including a dedicated, flamboyant tambourine shaker - their pristine, multi-limbed spectacle of a live show has journeyed up and down the UK and EU in recent times. 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